Another way to break out of the mechanical sound is to make a simple adjustment to the velocity. To give it a more natural sound you can adjust the swing. Everything is exactly the same, over and over. Now, to give it a faster feel, without changing the tempo, increase the times that the hi-hat is played. Now just as with any song you listen to your head will be up for the kick.Īnd your head will be down for the snare. Want to participate? It’s OK, no one is watching. We will get to that after we build our basic beat. Between each number are additional opportunities for sound.

To understand timing simply count out loud. Pan them according to their playable location. This is also applied for other percussive sounds. If you incorporate toms, they will gradually be panned a little to the right more and more as they get larger. The hi-hat goes to the left, one crash to the left and one to the right, a ride cymbal to the right, the snare and kick are centered. Just as if you were sitting behind that drum kit, pan accordingly. A hi-hat to your left, crash cymbals over your head on both sides, a snare between your legs, a kick drum in front of both feet, toms above the snare, getting larger as they go to the right to the large floor tom.įor those of you asking about wideness in your mix, an easy way to achieve this is panning your drums. Imagine yourself behind an actual drum kit. You will be able to create a basic beat for Trap, Future House and Dubstep.

Lastly, you will learn the elements of beats by genre. We will also cover how to get a sound that is less robotic, more organic and dynamic. This article will teach you beginning drum basics like structure and fills. In order to make a great beat, you need to understand actual drum skills and timing. HOW TO GET STARTED MAKING BEATS FOR ANY GENRE

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